When André Heller approached Jean-Michel Basquiat, Basquiat stated that he would participate only if his work was accompanied by one of Miles Davis's songs. Davis’s song, “Tutu," accompanied Basquiat’s Ferris Wheel for Luna Luna.
“Tutu” for Jean-Michel Basquiat’s Ferris wheel
Davis is one of the most significant jazz musicians of the twentieth century, best known for his 1959 album Kind of Blue
Davis played in bands with luminaries Dizzy Gillespie and Charlie Parker before forming his own groups with future legends John Coltrane and Herbie Hancock
His later work embraced new recording technology, including drum machines and synthesizers
Miles Davis, one of the most influential jazz musicians of the twentieth century, started playing trumpet at the age of thirteen. In 1944, he began to study at Juilliard in New York City while simultaneously working gigs on 52nd Street, the nucleus of jazz clubs at that time, with Charlie Parker and Dizzy Gillespie, pioneers of bebop—a style that rejected the dance rhythms of big-band swing jazz and highlighted improvisation and extended solos.
Instead of providing sheet music, Davis asked his collaborators to respond to sketches, inviting them to improvise without restriction.
Davis, whose influence cannot be overstated, assembled several bands that included John Coltrane and Herbie Hancock, musicians who later became legends in their own right. Instead of providing sheet music, Davis asked his collaborators to respond to sketches, inviting them to improvise without restriction. The result was uninhibited and dynamic music that spans from romantic to frenetic. In addition to music, Davis also made paintings and drawings.
When André Heller approached Jean-Michel Basquiat, Basquiat stated that he would only participate if his Ferris wheel was accompanied by one of Miles Davis's songs. “Tutu” combines sounds from drum machines, samplers, and synthesizers with acoustic trumpet recordings, reflecting Davis’s embrace of innovative new technologies to create distortion and repetition. This pairing emphasizes Basquiat’s deep interest in jazz—his musician heroes frequently appear in his work—while also highlighting the role of improvisation as an art form itself in both Basquiat's and Davis’s work.
Thirty-six years ago, Luna Luna landed in Hamburg, Germany: the world’s first art amusement park with rides, games, and attractions by visionaries like Jean-Michel Basquiat, Keith Haring, and David Hockney. By a twist of fate, the park’s treasures were soon sealed in 44 shipping containers and forgotten in Texas—until now.